无面人原名:Bruiser,
The young executive of a publicity agency Henry Creedlow is a man that has repressed morbid thoughts and is walked over by most of his acquaintances: his wife is cheating on him with his **** and stealing his investments with **** from his best friend; his housemaid is frequently stealing from his house and insulting him in Spanish; even his annoying poodle does not respect him...
发布于2000年。由乔治·A·罗梅罗执导,并且由编剧乔治·A·罗梅罗携幕后团队创作。集众多位杰森·弗莱明、彼得·斯特曼、莱斯利·霍普、Nina Garbiras、安德鲁·塔伯特、汤姆·阿特金斯、乔纳森·希金斯、杰夫·莫纳汉等著名实力派明星加盟。并于2000-02-13公映的电影。
隐形人主题的另一种诠释吧。**·克里德洛和帕特里克·贝特曼有多少相似之处呢?不多,一个是杂志社备受践踏的憋屈小**,另一个是年轻有为的华尔街雅痞,但他们都算某种意义上的隐形人。贝特曼和自己的透眀面膜融为一体,揭下面膜,他压根不存在;克里德洛从酣畅淋漓的暴力**到长出**实施**,他的身份不见踪影,连面孔都消失了-当然他快乐了许多,最后自信心(脸)也回来了→感谢**。模棱两可的寓言故事,比较喜欢最后舞池里的人一个接一个的认领**起哄“It's me!”的场面
类似但不同于舒马赫《城市英雄》,老派哥特恐怖换新壳,以卡夫卡式的创意呈现社会的无形愤怒。
罗梅罗**十年代的电影都在水准之上,口碑这么低我就不懂了。
**不错。床戏妞熊不错还有肌肉
这个电影我是为了彼得去看的,但是意外的挺不错的,法语全程听不懂他说什么
白色**相当于男主的第二人格,在受到的所有不尊重后能以戴上**后极端的归还
老罗偶尔也会来一次平淡无奇的文艺