侬本多情原名:She Done Him Wrong,
New York singer and nightclub owner Lady Lou has **** men friends than you can imagine, unfortunately one of them is a vicious criminal who's escaped and is on the way to see "his" girl, not realizing she hasn't exactly been faithful in his absence. **** is at hand in the form of young Captain Cummings, a local temperance league leader, though.
发布于1933年。由洛威·舍曼执导,并且由编剧Harvey F. Thew、约翰·布莱特携幕后团队创作。集众多位梅·韦斯特、加里·格兰特等著名实力派明星加盟。并于1933-02-09(美国)公映的电影。
第6届奥斯卡金像奖:最佳影片(提名)。
She Done Him Wrong (1933), from director Lowell Sherman, is Mae West s star-******, most famous film role as a liberated, racy woman who enjoys her sexuality - as a character named Lady Diamond Lou. The Naughty/*** Nineties character was a recreation of her 1928 Diamond Lil Broadway stage play (and its bejeweled title character). Credits for its screenplay are given to Harvey Thew, John Bright and Mae West herself. The box-office smash film for Paramount Pictures, given a different title than Diamond Lil to disassociate itself from the toured, scandalous play during part of 1929, was shot in approximately three weeks (including rehearsal time). Its single Academy Award nomination was for Best Picture, but it lost to Cavalcade. (It was the only Mae West film ever to be nominated.) The famous film, featuring West s first starring role (she had appeared in a supporting cameo role in Night After Night (1932) with George Raft), is filled with lots of clever innuendo, witty one-liners, and bold carnality, as she spouts irreverent one-liners (the oft-misquoted Why don t you come up sometime n see me? ), seduces a unspecified mission worker/undercover cop (Cary Grant), and sings bawdy songs (including Frankie and Johnny, I Like A Guy What Takes His Time, and Easy Rider). It has been generally claimed that this film and West s other 1933 picture, I m No Angel (1933), both helped to spur the coming of stricter enforcement by the Hays Production Code one year later, and the development of the Catholic Legion of Decency. The film s criminal subplot about white slavery and counterfeiting was confusing due to the Hays Office s demands to rid the film of references to white slavery, although odd fragments remain. The tagline of one of the film s posters confirmed the film s dangerous sentiment: Mae West gives a HOT TIME to the Nation.
太短了,除了Mae West的大女主,其他人物性格都没展开。不过West的形象在早期有声片是一大突破,或许她自己当时没有意识到,但她确实成为银幕上的女权先锋。另外,影片开头对声音的运用蛮热闹的。
结尾???你们制片厂为了让男女明星happy ending真是什么狗血招数都想得出来。当然严格来说本片没有男主= =
3.5 给Mae阿姨的Brooklyn accent点赞。p.s 她走路**是因为身高只有5英尺拍电影要穿为她特殊定制的恨天高鞋。
38岁的***演员兼编剧进驻大银幕,让垂死挣扎的派拉蒙咸鱼**,更别说**对她满口段子的惊惧。虎背熊腰,并不烟视媚行,就是那么自信。剧情有点摸不着头脑,完全就是以女主演和她的作派为核心,弄个剧情而已。有趣
梅·韦斯特的性感是由她的声调而来的,当时电检人员坚持察看她出场的镜头,唯恐一句平白无奇的台词会被她以“**”的方式演出。那些无礼又机灵的俏皮话是她独一无二的个性,这部片子里把她的特点发挥的淋漓尽致,冷艳、肉感、愤世嫉俗,大胆又泼辣,典型的**喜剧风格。
【TCM】三星半。作为1933年的一部作品,不仅有趣更是大胆。但囿于篇幅所限,故事只能居于次位而着力突出主角,尤其女主的魅力,导致更多成为个人秀。如果能稍微加多男女主之间的冲突,或者更加弱化男主而着力突出梅,就更好了。而本片也是很好的时间对于电影诠释影响的例证。现在的诠释角度除了历史局限(海斯)就是女权。但本片的出发制作缘由和女权没什么关系。但作为观众,无所谓啦,能引发一些思考就好。
Mae West妙不可言,撩男功力一流。地母身形,丰满肉感,funny & charming。脱口而出的那些俏皮话今天还不过时,不,应该说比当下俗不可耐的台词更会捕捉幽默精髓。可惜,误杀发生之后的剧情莫名其妙,套一个警察拜倒在爱情裙下的收尾,仓促生硬。
梅·韦斯特简直是女**的教科书,**挑逗样样精通,多线*作更是娴熟,每句正经话儿都能被她说得眉飞色舞;“***,通常情况下,一个麻烦,两人制造”;“你戴上**,一大堆男人就安全了”;加里·格兰特饰演角色的姓氏算是个性暗示?
Payne Fund第一次發表研究報告時上映。
Mae West是女权先锋,台词机警又俏皮,这样的**怎么活都精彩。